WHEN Stephen Menon asked me if I wanted to take part in “The Truth Untold” (read here and here), an exhibition featuring Tamil calligraphy, I jumped at the opportunity. It would be a
Lim Siang Jin
OCTOBER 21, 2023, was special to me. I had used it as an overall absolute deadline to complete many pieces of work for Penang Free School. Many of the projects were, of course,
I HAVE NOT started in earnest to sell what I have produced; I am still figuring out what this art ecosystem is all about; its stakeholders, and their roles and interests – as lover
MY MEMORIES of Free School would ebb over time, I had thought. They might indeed have, but for a chance occurrence in 2015 that brought a lot, and more, gushing back. After that
FOR my first solo in October 2022, I had to make a last-minute decision to place “Not for sale” tags on three 3ft x 4ft pieces. It was an expensive but neccesary move.