AFTER my first solo in 2022, I decided I would produce a set of prints on my alma mater Penang Free School based on the concept of Exaggerated Stills (read here). To show that the school and its buildings are rich in heritage, I wanted to use abstract eyes as watermark on the structures – as if they are watching people who inhabit them now.
While I was experimenting with the method, and after I had drawn the “eyes”, I decided to embark on this project. It combines four layers of artwork and photographs to produce digitally-layered Giclee prints with acrylic borders on canvas. Two of these pieces were selected for an exhibition called “The Emperor’s New Clothes” from May 21-28, 2023, in Lahore, Pakistan.
‘The Emperor’s New Clothes’ features the works of 20 “exceptional” artists from Pakistan and Malaysia. They are | K F Choy | Ali Gillani | Farhat Ali | Alias Yussof | Mohsin Shafi | Lim Siang Jin | Syed Hussain | Rekha Menon | Husin Othman | Irfan Gul Dahri | Rabia Farooqui | Sanker Ganesh | Rabia S. Akhtar | Affan Baghpati | Long Thien Shih | Stephen Menon | Zulfekli Bin Talha | Muhammad Zeeshan | Kiran Saleem. I am highly grateful and appreciative that curator-artist STEPHEN MENON picked my pieces for the exhibition, and many thanks too to KF CHOY for his constant encouragement and comment.
The two pieces
Watchful Amidst Hope 1, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WThe print (without painted border) with the four component layers
The four layers are (1) black composite drawings of eyes, signifying that we are looking, we are being watchful (2) a background layer to give an overall tint and feel to the print (3) seedlings of the green “mung” beans and (4) young leaves of the moringa tree. (3) and (4) signify growth and they are interlayered with (1) and (2) to place the “growing elements” amidst them. A two-inch border is hand-painted on each print to lend them more prominence and add another layer of visual perception.
Watchful Amidst Hope 2, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WThe print (without painted border) with the four component layers
At another level of meaning, the prints could be about the need to keep an eye on development and growth; that they can go awry if we don’t have checks and balances built into the ways we develop ourselves individually and as a society.
They are a continuation of my exploration in the digital-analog space. My aim now is to produce three to four pieces of self-standing pieces of work and merge them into one. Don't know if it will work out well. Scroll down to see the remaining eight pieces.
Third piece for Lahore: This comes from the Exaggerated Stills series.
Still Life with Black Lamp and Painting, Jan 2021, acrylic on canvas, 20in H x 16in W. The smaller piece on the right is the still image the painting is base on
‘The Emperor’s New Clothes’ at Numaish Gah, 31F Main Market, Gulberg 2, Lahore, Pakistan. May 21-28, 2023
The following are the eight remaining pieces of “Watchful amidst hope”:
Watchful Amidst Hope 3, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 4, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 5, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 6, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 7, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 8, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 9, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in WWatchful Amidst Hope 10, April 2023, digitally-layered Giclee print with acrylic borders on canvas, 34in H x 28in W
