Art
WHEN I WENT “back to black” (B2B), it was never my intention to abandon colour; it was an “active” pause to re-evaluate where I was headed. And then to move on quickly. I decided that I would examine different media, specifically how to combine analog with digital. Exhibited at Restart
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FEAR & HOPE was an unplanned piece, at least in its details and the emotive developments around it. I had been dissatisfied with “Yikes” in the Adventures with Acrylics series. However, knowing its potential, especially with more sophisticated treatment, I decided to repaint it as a much larger piece on
Art
TOWARDS THE END of 2020, I felt relieved that I could paint again. It freed me from the boredom of the lockdowns and I regained a much-needed sense of achievement and confidence. Based partly on the initial postcards I did in May, I began to venture into larger pieces of
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THE YEARS 1989-91 were another watershed period for my art endeavours. Work at the Institute of Strategic and International Studies (ISIS) Malaysia had picked up a bit and I had been thinking about leaving for some time now. Longer hours in the office and uncertainty about my own future took
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IN 1988, I doodled on a piece of tracing paper with a 0.1 Rotring pen. A4 in size and called “Expressions”, I liked it very much, however, I did not pursue the idea any further. Exhibited at Restart 2020: Continuation & Change — October 2022. Click here Later on, I
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MOST OF US experience the mundane everyday. This is quite fine, actually. Necessary, in fact. Everyday things anchor us to reality and allow life to function “normally”. Art, however, cannot be ordinary. Much like a newspaper page or a video, media I am familiar with, pieces of art are packed
Art
WHEN COVID-19 STRUCK in early 2020, I was, like all other people, extremely disoriented. We had to drop our mainstay activities and plans to train students on leadership and soft skills. Our English for logistics course with the Selangor Freight Forwarders and Logistics Association also stalled. As the effects of